Day 109/365

Many thanks to Natasha Roos for the brilliant ideas that led to this shoot. This is a bit of an edgier one.

Quinn:

Day 110/365

Shear material:

Day 111/365

A glimpse into my album collection:

Day 112/365

Lamp shade:

Day 113/365

My new car. I blogged about this a few posts back, if you recall. Now you get to see it:

Day 114/365

Dandelion:

Day 115/365

Personal favorite from Carley’s bridals:

Day 116/365

Personal favorite from Emily’s bridals:

More to come in a few days hopefully. Stay tuned.

The last shooting buddy I had was Sabrina, with whom I went out and shot at Mt. Olivet Cemetery. It was a ton of fun and the photos turned out pretty good too.

But Sabrina left for Brazil… And believe it or not, arranging to shoot together from a continent away is friggin’ hard.

So it was back to just me, going out to random places and taking pictures.

It wasn’t until I did the Salt Palace Bridal Show in January that I met Natasha Roos, who was just a few booths down from where I was. We stayed in touch, talked about shooting together out in some random run-down area of town and finally settled on today to do just that.

Problem was, she couldn’t find a sitter for her girls… So we just took them with us, and before long, the shoot was much more about them than it was about anything else.

Rightly so.

Why take pictures of messed up alleys, dilapidated walls and stationary trains when you’ve got a couple of hyper kids around?

It was enormous fun.

Here are Natasha’s girls, Amelia & Lucie:

Ladies and gentlemen, Tinaaaa Feeeyyyyy!!!!

Oh man I love that shot…

Lucie was upset her sister wouldn’t let her hold the stick…

So to cheer her up, I chased her around.

I love the message this conveys! NO TRESPASSING. “Oh yeah? Watch me!”

Natasha wanders between the trains.

This reminds me so much of the shot in Slumdog Millionaire where the kids are jumping between the moving train cars, I just had to show you.

I love this. The focus is on Lucie in front, but the composition leads your eye to Amelia in the back. There’s a life to this shot that I love. Hard to describe but I feel strongly about this one.

And finally, the view from just beside the trains.