NURF Wars, a movie I shot so very long ago, back in the old days of DV tapes (remember those?) is now finally done!! And it’s the reason I’ve been so quiet on here. Because the last part of making a film (in my workflow at least) is to make the music.

And I worked on the last portion of that original score for two weeks straight… I knew it would take about that long, and that’s why I put it off as much as I did; because I find it hard to chip away at music-making.

Instead, I have to lock myself up in my basement and stop seeing daylight for a couple of weeks, just so it doesn’t lure me out of the house, never to look back at my project again.

So I’ve been working relentlessly on what ended up being a score that ran all 18 minutes of the film. By the end of those two weeks, I was really tired of making music.

What I’ve found exceptionally hard to do in composing a score for movies is that you have to hit specific marks. The music has to swell and quiet down in just the right places. That’s fine on its own, but you have to anticipate those peaks and valleys far enough ahead of time that you can ease into them and make them support the actual film. Not to mention mood changes, weaving in a recognizable theme, multiple things going on at once, scene transitions, etc…

It’s pretty exhausting.

But in the end, it was well worth it. I can tell the progress that was made from the first song I made to the last one. I learned to handle the software and I learned to improve the craft.

I’m still no musician by any stretch of the imagination, but I’m no longer falling on my face, wishing I could just get myself to quit trying.

So without further ado, I hope you enjoy the last portion of the movie’s music. The file is 17MB and 12 minutes in length, so if it doesn’t load right away, give it a moment.

Enjoy!

WARNING: Music starts kinda loud :)

Yep, I had a model recently break my guitar.

Nope, I’m not kidding.

Seeing as I only had one shot at this, what you see above is the test shot before she did the real smashing, to make sure I had the look I wanted, she was hitting the right spot on the wall, coaching her to make the right face, etc.

Stay tuned for the real shoot, coming soon!

The People Through My Lens project is still very much alive, and here finally is another addition to it.

Lee is another one of those uber-talented folks I know. I seem to come in contact with a lot of them! Poor guy’s been waiting for me to finish my short film NURF Wars since February of 2009… Yes, Lee was in that.

Anyway, I’ve worked with him since then on projects from other local filmmakers, usually where I’m shooting behind the scenes stuff, so I knew him pretty well and knew right from the start that I wanted to include him in this.

I went to his house and although I wasn’t gonna be able to shoot him in action as an actor, we started chatting and I quickly re-discovered just how involved he is with music. He regularly performs on stage, working closely with a lot of theater productions and, to my great delight, writes his own stuff. Either for the stage or for fun.

I always love to watch creative people at work. There’s something deeply special about being the creator to something that is uniquely yours…

Ok, without further ado, here’s Lee!

What is The Music Project? Well, it’s a simple concept of mine. Here we go:

The Music Project

Listening to great music, and I mean really great music, elicits an avalanche of powerful images in my head. So powerful in fact, that with the best of songs or melodies, I am completely paralyzed in my visual imagination run amuck. The whole world falls away and all I’m left with is what I see from what I’m listening to.

So one day, I decided to attempt releasing everything that remained a prisoner in my mind.

Because I want you to experience what I do.

I started digging through all the music I loved, asking myself the biggest question behind the concept for The Music Project:

“What do I see?”

This will be an ongoing project with new photography concepts for new songs. I won’t be posting the songs together with the images, or even the lyrics. Hopefully, if you enjoy my work enough, it’ll make you want to go out and buy albums and MP3s. Nothing would make me happier than to find out there’s a spike in sales for every song that inspires me to a shoot.

Let’s kick things off with Regina Spektor’s “Summer in the City”.

Many thanks to Shanda Palmer and Nick Hemsley for the amazing makeup and hair, respectively, and of course my good friend, the endlessly energetic and beautiful Dani Jae for modeling, even in a bar full of men who all wanted to buy her a drink. I was planning on buying her a drink for the shoot anyway, but a customer did it for me.

I’ve been getting threats to stop teasing and just post the film already. Yikes!

But before you hit the play button below, please… PLEASE read the following…

Do not, I repeat, DO NOT watch this thing on a laptop with no speakers attached!!!

I worked relentlessly to perfect the soundtrack to the film and it would destroy me to find out that anyone would accept watching this on a system that barely lets you hear anything. You have to experience the rich sound of the violins and the bone-shaking power of the bass. You just do. So yes, turn the volume up!

Another note. The video link you’re about to watch can be seen in HD, so if your internet connection is fast enough, please watch it that way (click on the HD icon, then click on the link to Vimeo’s site to watch it in HD there).

Ok…

Ready?…

Go!!!!

Every Day the Same from Raji Barbir on Vimeo.

And here’s the music all on its own if you want to come back and enjoy it by itself:

Part 1:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Part 2:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

A little background to the film.

I came up with the idea for the film about a year and a half ago, with the hugely talented Sasha Zoumadakis in mind. I imagined a woman, leaning against the window of a train, hardly looking out, peacefully happy to go home.

But as I suddenly found myself in a position to actually shoot the film, I felt the need to flesh it out beyond just filming a woman going home. And before I knew it, it turned into a film about the crushing and seemingly meaningless repetition of life.

I know… Not exactly the happiest concept…

But for me, “Every Day the Same” now stands almost as a reflection on my personal experience in times like these and hopefully something you, my dear audience, can relate to:

No longer seeing the point, but with no other options, continuing with life in autopilot.

I hope you enjoy it.

Ok, remember my last post? No? Short memory you’ve got… :P

Scroll down. I’ll give you a minute…

Done?

Ok great!

Well here’s my first attempt at shooting the appearance of video using my photo camera!!

Alisha from Raji Barbir on Vimeo.

Not exactly great, but it’s very, VERY exciting for me.

Alisha is a close friend of mine with whom I’ve worked many times. She rules. She needed me to do some photography of her working out, but before we got started, I asked her if it’d be ok to do this so I could see if the concept would actually work.

AND IT WORKED!!!!!!!!!!!!!!!!

I’m guessing almost everyone reading this is completely unimpressed. But this is HUGE for me.

I’m going to start actively seeking out one female model or actress for an idea I’ve had buzzing around in my head for a music video.

Late-night story time!!

Ok, check this out.

I saw this really cool idea by a director on a fellow photographer’s blog to use the camera I have (the Canon 1D MkIII – a photo camera), with its truly staggering 10 frames per second, to produce an entire music video in a stop-motion style. Part of the difficulty in producing the video the way the director intended, was that he wanted to have off-camera, artificial lighting, firing together with the camera.

Now for those of you who are starting to get lost in my story, all cameras do this. All cameras that have a flash are capable of firing simultaneously with the camera.

ONCE.

Try it at 10 frames per second and what happens is that the flash can no longer keep up. The problem lies with the batteries, usually AAs, that run out of continuous juice after just a few shots. After that, you start noticing the flash skipping a frame, then two, then more, until you completely annihilate the batteries.

So the director’s solution was to just get a slew of really expensive battery packs called Profotos – every single one of which is more expensive than the camera itself – and had a giant crew milling around the camera operator, one to wirelessly pull focus, one to hold the light over the band/actors, another to wrangle cables, etc etc.

Giant production.

But it got me thinking… Ever since my house was broken into, I’ve missed having my video camera around. I haven’t replaced it, patiently waiting for Canon to please please, oh please announce a successor to my own camera model because it will, without a doubt, have HD video on it, like all other professional photo cameras coming from Canon and Nikon of late.

No luck on a successor to my model yet, but it’ll get there eventually.

In the meantime though…

Forget making a giant production like what that director did, forget off-camera lighting, forget big crews. I can direct again!

There is however one big problem with photo cameras shooting that fast.

Buffer.

The memory card that I slide into the camera has a limit in keeping up with how fast the camera is trying to capture data. Eventually, the memory card will simply say “busy” and a significant drop in the frame rate will occur.

So to figure out how long I could shoot before my memory card cut me off, I used my iPhone’s stopwatch to time how much “footage” I could capture before the memory card would quit on me.

Roughly 670 images within 46 seconds!

That’s awesome!! The 670 images is impressive, but the 46 seconds of “footage” is very useful. If I’m careful how I shoot, I could easily put together a music video, using natural light (ie. just the camera and nothing else). With a little more planning, I could possibly pull off a kind of “home movie” feel or footage that looks like stuff that was shot in the early days of film.

I don’t know if this is sinking in for any of my readers out there, but it’s blown me away. I was tired at 11pm and it’s now 1:30am and I’m bursting with ideas.

And speaking of how late it is, I didn’t pay attention to what I said until just now.

If my camera shoots 10 frames per second, and I shot for 46 seconds, why wouldn’t I have ended up with 460 pictures? Why 670? Probably user error, but it’s late and I do need sleep.

Day 51/365

So ok, yesterday I was supposed to shoot a model. Forgot to mention that… But yeah, I had another cancellation, this time from a male model. I was leaving taking the pictures of the 5×5 cards for today, as kind of a short breather between the many more model shoots I’m planning on doing this month.

Instead, because of the cancellation, I was left scrambling for a picture today… so I shot my other keyboard.

I love that little thing.

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This is a little 25-key MIDI keyboard. It doesn’t generate any sound on its own. It has to be plugged into the computer so that it can trigger sound from within a music program.

Day 39/365

Models sometimes don’t show up.

It’s upsetting enough with new models, not to mention a complete waste of time, but I was surprised to be left hanging by a model I’d worked with once before, after having made the trip to downtown Salt Lake just to find myself texting and leaving messages with no response whatsoever.

Here’s a few pictures that resulted from a little scouting around once I realized I’d been stood up.

The Hoberman Arch by the Rice Eccles football stadium:

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Have you noticed how exciting traffic can be? Look! That red car just took the lead at 500 miles an hour!! Granted, the driver lost control, crashed into a retaining barrier and then exploded, but still! Exciting stuff :D

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Day 40/365

Do you see that green glow?… Those tiny, beautiful little green lights on the front panel?… Ahhh… I love them when they come on and I miss them when they’re gone… It’s a beautiful sight.

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And now for an explanation as to why I’m apparently attracted to green lights.

In the past week, I have fought… and fought… and fought… and then fought some more, with the installation of a music program called ProTools.

Digidesign, the manufacturer of both the software (ProTools) and the hardware to run it (in my case, the MBox 2 – pictured here), insists that ProTools simply will not work on the 64-bit version of Windows Vista, which I have.

To which I naturally say, “Watch me!

Hey, it’s worked before, it’ll work again.

And obviously it did work (the green lights are on!), but not without a long and gruesome fight. It took me days of endlessly installing, uninstalling and doing something a little different with every try before it finally came back to life and stayed there.

Now it’s alive again. Glowing beautifully by my side.

Ahhh… Life is good.

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