Late-night story time!!

Ok, check this out.

I saw this really cool idea by a director on a fellow photographer’s blog to use the camera I have (the Canon 1D MkIII – a photo camera), with its truly staggering 10 frames per second, to produce an entire music video in a stop-motion style. Part of the difficulty in producing the video the way the director intended, was that he wanted to have off-camera, artificial lighting, firing together with the camera.

Now for those of you who are starting to get lost in my story, all cameras do this. All cameras that have a flash are capable of firing simultaneously with the camera.

ONCE.

Try it at 10 frames per second and what happens is that the flash can no longer keep up. The problem lies with the batteries, usually AAs, that run out of continuous juice after just a few shots. After that, you start noticing the flash skipping a frame, then two, then more, until you completely annihilate the batteries.

So the director’s solution was to just get a slew of really expensive battery packs called Profotos – every single one of which is more expensive than the camera itself – and had a giant crew milling around the camera operator, one to wirelessly pull focus, one to hold the light over the band/actors, another to wrangle cables, etc etc.

Giant production.

But it got me thinking… Ever since my house was broken into, I’ve missed having my video camera around. I haven’t replaced it, patiently waiting for Canon to please please, oh please announce a successor to my own camera model because it will, without a doubt, have HD video on it, like all other professional photo cameras coming from Canon and Nikon of late.

No luck on a successor to my model yet, but it’ll get there eventually.

In the meantime though…

Forget making a giant production like what that director did, forget off-camera lighting, forget big crews. I can direct again!

There is however one big problem with photo cameras shooting that fast.

Buffer.

The memory card that I slide into the camera has a limit in keeping up with how fast the camera is trying to capture data. Eventually, the memory card will simply say “busy” and a significant drop in the frame rate will occur.

So to figure out how long I could shoot before my memory card cut me off, I used my iPhone’s stopwatch to time how much “footage” I could capture before the memory card would quit on me.

Roughly 670 images within 46 seconds!

That’s awesome!! The 670 images is impressive, but the 46 seconds of “footage” is very useful. If I’m careful how I shoot, I could easily put together a music video, using natural light (ie. just the camera and nothing else). With a little more planning, I could possibly pull off a kind of “home movie” feel or footage that looks like stuff that was shot in the early days of film.

I don’t know if this is sinking in for any of my readers out there, but it’s blown me away. I was tired at 11pm and it’s now 1:30am and I’m bursting with ideas.

And speaking of how late it is, I didn’t pay attention to what I said until just now.

If my camera shoots 10 frames per second, and I shot for 46 seconds, why wouldn’t I have ended up with 460 pictures? Why 670? Probably user error, but it’s late and I do need sleep.

Day 31/365

Jaylene (yes, shameless plug – again) came home after doing some make-up work tonight, so she had some toast with a slice of bologna.

Here’s our creepy toaster light:

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Here’s the sandwich before:

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And here it is after:

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Behind the Scenes on NURF Wars, Part 3:

We got lucky at the 24 Hour Fitness parking lot. We picked a car that stayed right where it was until 1am, when we decided to call it a night. So to whoever owned that white Chevy in desperate need of some cleaning, thanks! We were almost tempted to write on there, although instead of writing “Wash Me”, we’d have written “Thanks for being so serious about working out this late at night and giving us the chance to finish working on the scene for our short film. We probably couldn’t have done it without you.” Well, it was a really dirty car, there was plenty of space to write!

But too wordy, I know. So we decided against it. :D

I’ll get back to writing about the experience soon. For now, I need to focus on actually wrapping up the shoot. No, I’m still not done with it. But almost. Like the last little bite of bologna sandwich.

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I can’t fit inside the Lamborghini, but I can still say I own one. I could have wiped off the dust and tried to pass it off as the real thing, but where’s the fun in that? Keeping it dusty gives me a chance to say “Can you imagine if I took care of a real Lamborghini as poorly as I do my scale model? I’d be a Hollywood celebrity!”

That’s more fun to say.

Plus I almost forgot to post today and I had to slap something together in a big hurry.

Anyway, on with yesterday’s show!

Behind the Scenes on NURF Wars, Part 2:

So we walked over to the Carl’s Jr. in the same parking lot, warmed up and starting re-thinking how to approach what was quickly turning into a disaster.

I decided that it might work to finish the shoot in a completely different parking lot within the same area. We would have to keep from exposing in the shots that we were elsewhere and we’d have to move quickly if we were to get remotely close to finishing the scene.

Fortunately, a friend of my actress had shown up with a truck just before we stopped to eat. I didn’t realize how crucial his truck would be until I remembered that I had written somewhere that I should tell my actors to follow me down to the parking lot from the initial location with their own cars. Why? So I could have a couple extra cars should I need to fill up a parking lot that would surely and quickly empty out as the night wore on. I forgot to remind my actors of that and we all came down in just my car… Big mistake.

Every parking lot in sight emptied out fast, including the one we settled on.

Tic, toc, tic, toc.

We settled on shooting at the 24 Hour Fitness parking lot. So we shot as quickly as we could with the cars that were there. Any new car that parked near us was golden and we assumed that it would give us access to the new car or truck for maybe 15 to 20 minutes, depending on how serious that person was about working out that late at night.

Inevitably though, the parking lot got emptier… and emptier… and emptier… And we still weren’t close enough to finishing the scene we needed.

So we started improvising.

Depending on the angle of the shot we needed, we would move my actress’s friend’s truck around to a new parking spot. Sometimes facing it forward, sometimes backwards. The assumption was that if I cut from one shot to the next fast enough, nobody would notice that we were filling a parking lot with the same truck over and over again.

But we still needed other people’s cars and they were slowly trickling out. So we kept re-thinking the action to match how many cars we had left.

Fssshhhhh… The doors to the gym would slide open… and we’d all stop and stare at the person casually strolling out… and we would plead quietly… “Oh please don’t take this car… We still need this one…”

Tic, toc, tic, toc.

To be continued…

Day 29/365

There is absolutely no way to describe in words the degree to which chaos overruns the set in the mind of a director, but the words “tic, toc, tic, toc” are a good approximation of the sinking feeling that you’re going to fall short of your goals no matter how hard you try, at least based on your own impossibly high standards.

So given my recent jump back into directing short films and the short explanation in the preceding paragraph, I think this image is in order.

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Behind the Scenes on NURF Wars, Part 1:

On Thursday the 5th, we were set to start at 6pm. I made it out to the shooting location at 5:30. By the time we setup camera, lights, audio, ran through lines and blocked out the action for the scene, not having recorded a single shot yet, it was 6:35. And we had to head out by 7:00.

Remember, I don’t have a crew. I’m in charge of everything except the acting.

So we finished half the scene that I thought we’d finish in a heartbeat to head down and work on the really big scenes. We get down there in time at 7:30. Cool. But that’s where we found a blistering cold, humidity in the air and surprisingly hard wind.

Now, I don’t mind a little cold. I do live in Utah. It wasn’t pleasant, but that’s ok. It’s just that hard winds mean crappier audio. So we focused on the scenes where the audio could be more easily added in post-production. I had four actors that had very short parts with no lines, so I needed to get them outta there ASAP.

By the time they were gone, it was already 8:20.

By the time we finished a scene with audio (inside my car – no bad winds to deal with), it was 9:30, and I was mentally spent. I couldn’t think straight anymore, the cold wasn’t helping, I couldn’t make sense of my shot lists, the parking lot was far too empty for the scenes we needed, and on and on and on.

My 2-year break from shooting short films was taking its toll, as was everything else I had no control over.

Tic, toc, tic, toc.

To be continued…

Day 27/365

I’m surprised I’m able to post today at all. I was gonna say something about it last night, but I didn’t have the time.

Last night (or rather, this morning), my day ended at just past midnight. Fell asleep at about 1am so that I could wake up at 5am. I was expecting to shoot well into the night today, but we stopped right around 9pm, which to me, was surprisingly good. A 16 hour day and having accomplished as much as we did is really gratifying. Add to that the immense amount of fun we have as a group on set, and the grueling image of a 16 hour day turns into a real joy.

So, remember that post with the pristine shot list? This is what it looks like after a full day’s worth of abuse.

Ok, nothing fancy, but hey, as much fun as I had, 16 hours is still tiring for me.

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Day 25/365

I don’t have much time. An ECU, for those of you not familiar with camera placement and terminology, means Extreme Close-Up.

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Today is the biggest part of the shoot. I’m gonna be up until early next morning. Wish me luck!

Day 21/365

Here’s my little stack of DV tapes for NURF Wars. It’s all happening this week! Very exciting stuff :D

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By the way. I didn’t misspell “NURF”. The movie is gonna have NERF guns in it. Sounds silly I know, but trust me, it’s gonna be awesome. I used to be a 3D wizard, and I use After Effects for all my movies, so I’ve got a few tricks up my sleeve.

Anyway, it’s kind of a play on words… or something… It’s a combination of “NERF” and “Turf”. The two had a baby and called it NURF. So it’s simultaneously “NERF Wars” and “Turf Wars”. Hence “NURF Wars”.

Smurf.

Whatever, that’s my story and I’m sticking to it.

Day 20/365

I’ve been struggling to keep up lately… This is one of many reasons:

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NURF Wars is a fourteen page screenplay (basically a comedy) I’ve been writing over the past few days. Screenplays are just blueprints for movies, so this is far from the end of my being busy. In fact, I’m directing this one, so I’m going to be more busy in the coming week than I have been in a long time.

I’m also going to be responsible for uh… everything else.

Aside from the acting and maybe some of the sound on the set (for moving shots), I’m always responsible for everything on my short films. Screenplay, planning, camera work, lighting, editing, color correction, effects, sound design, music, right up until I throw the whole thing onto DVD for my cast and crew to have.

No, I’m not trying to brag. I’m stubbornly independent. I don’t like delegating unless I can find someone who can completely blow me out of the water in performing what I could just as easily do myself.

For example, I’m sure I could do make-up for models. But I don’t. Because I already have someone who can completely crush me at it: www.jaylenebarbir.com

Having someone help you that’s good at what they do makes your life easier. Getting someone on board who sucks at what they do just to claim a larger crew, that makes your life miserable.

All this is partly why I took a picture of my video camera yesterday. It’s not so I can show off the gear I have, it’s because it’s on my mind a lot now and I’m not sure what to take pictures of day after day.

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Ok, I gotta share this one with you.

Amy’s line of “I see a bright light” in the shot above is probably what you thought it was: she’s dying. More specifically, she’s been shot and her lover watches helplessly as she dies. But there’s a joke after that. So here’s what the screenplay looks like:

AMY

I see a bright light…

 

JOHN

Stay with me, babe! Stay with me!

 
Amy points to the parking lot light.

 
AMY

See? Right there.

 

She does see THE bright light after that, but I thought that was funny and worth sharing.

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