There’s nothing quite like beautiful light on a movie set. And this one had it in spades.

I always love being on set. It’s just so much fun. Mind you, this is coming from a guy who’s never been on any set other than small independent productions. I just love them to death, and I go shoot them whenever I can.

So when my good friend Andrew James called me and asked, “My brother Danny is shooting a short film in a really cool location, can you come shoot behind the scenes photography until midnight or later for no pay?”, I didn’t hesitate for even half of a hundredth of a second to jump at the opportunity.

Because first things first; if you’re a photographer expecting to get paid for shooting on movie sets but you don’t live in LA, you’re deluded.

And since I’m not deluded, don’t live in LA and love what I do for a living, I was on-board in a heartbeat, no pay and all.

Here’s some of what I got from the set of The Piano Man. There were a lot of pink and purple colors that I wasn’t so crazy about, so a lot of them are black and white. Besides, it focuses you on light rather than color.

Enjoy!

This will be the last time I ever mention NURF Wars, and before you click to play the video below –

WARNING!!! NURF Wars would probably have been given an R rating for graphic violence and strong language. DO NOT click on the link below if you are offended by any of this!

Can’t say I didn’t warn you :)

NURF Wars, a movie I shot so very long ago, back in the old days of DV tapes (remember those?) is now finally done!! And it’s the reason I’ve been so quiet on here. Because the last part of making a film (in my workflow at least) is to make the music.

And I worked on the last portion of that original score for two weeks straight… I knew it would take about that long, and that’s why I put it off as much as I did; because I find it hard to chip away at music-making.

Instead, I have to lock myself up in my basement and stop seeing daylight for a couple of weeks, just so it doesn’t lure me out of the house, never to look back at my project again.

So I’ve been working relentlessly on what ended up being a score that ran all 18 minutes of the film. By the end of those two weeks, I was really tired of making music.

What I’ve found exceptionally hard to do in composing a score for movies is that you have to hit specific marks. The music has to swell and quiet down in just the right places. That’s fine on its own, but you have to anticipate those peaks and valleys far enough ahead of time that you can ease into them and make them support the actual film. Not to mention mood changes, weaving in a recognizable theme, multiple things going on at once, scene transitions, etc…

It’s pretty exhausting.

But in the end, it was well worth it. I can tell the progress that was made from the first song I made to the last one. I learned to handle the software and I learned to improve the craft.

I’m still no musician by any stretch of the imagination, but I’m no longer falling on my face, wishing I could just get myself to quit trying.

So without further ado, I hope you enjoy the last portion of the movie’s music. The file is 17MB and 12 minutes in length, so if it doesn’t load right away, give it a moment.

Enjoy!

WARNING: Music starts kinda loud :)

Some of you seem to have enjoyed my randomness a while back, so here’s something random, though possibly somewhat predictable:

I adore the movie Inception.

Absolutely adore it.

I haven’t felt this excited about a movie since The Matrix came along. Whoever coined the phrase “everything has already been done” was ignoring the fact that wonderment and fresh ideas could still originate from what we know.

The Matrix took a boatload of old ideas and still managed to come across as if nobody had ever so much as imagined the concept they laid out in the film. I mean, machines rising up against their creators? That’s The Terminator isn’t it? As for the alternate reality aspect of it, seems to me we’ve seen every permutation of an alternate reality from The Wizard of Oz to Lord of the Rings.

So yes, “it’s all been done before.” They just mashed together two well-known concepts and decided to make a movie out of it.

But if the quality of a movie or even an idea, doesn’t depend on whether or not it’s been done in the past, it’s the story that matters.

And as with any good movie, with Inception, story is the undisputed king.

And really, everything takes a backseat to the story in this film.

EVERYTHING.

You can talk to me about how cool the effects were, you can cheer at the filmmakers’ choice to cast DiCaprio in it and how great he turned out for the role, you can rave about the score or the lighting, but make no mistake, in the end, it was the story that took it all.

The brilliant execution of everything surrounding the story was what made it shine. If you compare all the elements of Inception like the score, the acting, the lighting, and so on, to a knight’s armor, then the goal is to keep the armor from showing any cracks or vulnerabilities…

So long as you don’t forget that the armor is only there to protect the true essence of what’s actually being marveled at.

You don’t marvel at the armor.

You marvel at the knight.

The armor becomes almost irrelevant. It’s just a shell to help make him appear more fierce than he would without it.

And just the same, despite being well shielded by a terrific score, amazing visual effects, great acting and beautiful cinematography, it’s the story that we marvel at.

Now, I’ve heard a lot of people just blurt out how much of a trip the film was. “Wow, dude, trippy movie!”

To me, that’s almost an insulting oversimplification.

Yes, without giving anything away, there are a lot of elements to the story that are mind-bending and out of this world. But to reduce such brilliance to a “trippy movie” likens it to any other forgettable experience.

And that’s just not right.

Because despite having seen this film all the way back on July 16th, on the very day it came out, it still haunts me. I haven’t seen it since but I think I’ll be going again soon. In the meantime though, I believe it’s hands down, HANDS DOWN, the best film of 2010.

But I’m gonna go much further and say that I think Inception will, or at least should go down as one of the greatest films of all time. It nailed the story every step of the way. No surprise twists and turns or weirdness just for the sake of itself. Just brilliant cinema throughout.

Please, don’t turn it into a franchise. Never make a sequel to it. Or a prequel. Or a TV show. One of the all-time movie greats deserves better than that.

I can only hope that someday I can produce something with as much storytelling brilliance as Inception managed to do.

I’ve been getting threats to stop teasing and just post the film already. Yikes!

But before you hit the play button below, please… PLEASE read the following…

Do not, I repeat, DO NOT watch this thing on a laptop with no speakers attached!!!

I worked relentlessly to perfect the soundtrack to the film and it would destroy me to find out that anyone would accept watching this on a system that barely lets you hear anything. You have to experience the rich sound of the violins and the bone-shaking power of the bass. You just do. So yes, turn the volume up!

Another note. The video link you’re about to watch can be seen in HD, so if your internet connection is fast enough, please watch it that way (click on the HD icon, then click on the link to Vimeo’s site to watch it in HD there).

Ok…

Ready?…

Go!!!!

Every Day the Same from Raji Barbir on Vimeo.

And here’s the music all on its own if you want to come back and enjoy it by itself:

Part 1:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Part 2:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

A little background to the film.

I came up with the idea for the film about a year and a half ago, with the hugely talented Sasha Zoumadakis in mind. I imagined a woman, leaning against the window of a train, hardly looking out, peacefully happy to go home.

But as I suddenly found myself in a position to actually shoot the film, I felt the need to flesh it out beyond just filming a woman going home. And before I knew it, it turned into a film about the crushing and seemingly meaningless repetition of life.

I know… Not exactly the happiest concept…

But for me, “Every Day the Same” now stands almost as a reflection on my personal experience in times like these and hopefully something you, my dear audience, can relate to:

No longer seeing the point, but with no other options, continuing with life in autopilot.

I hope you enjoy it.

Remember? Last year in February, I talked about a film called NURF Wars that I was about to shoot.

For those who don’t wanna bother going back and reading, NURF Wars was an idea that originated from trying to figure out how I could have actors running around with guns in the middle of downtown without getting shot at by the cops. NERF guns were the solution. And I misspelled the title because… Well because I can. It was a combination of NERF Wars and Turf Wars, but there’s not really anything in the film to help you understand that… So I don’t know…

Anyway, so I did shoot it, but then my camera got stolen in March and I got really busy in the summer with weddings. The whole project got put on a perpetual backburner and I couldn’t touch it until I could find some time again.

I found some time again.

Now, although the film has a way to go (a ton of special effects, animated title sequences, sound design, music and all the DVD authoring stuff), here’s my favorite frames coupled with some commentary without giving away any of the story twists.

Walking against the flow.

The beautiful and talented Dani Jae. She apparently lives in a place with unbelievably dramatic lighting.

He didn’t have a clear shot.

One of the prettiest scenes in the movie. But see, if I’d had my new camera, I’d have thrown that distracting background out of focus.

Bad guys looks awesome!

A link to Every Day the Same will be coming soon. Probably next week but I’m not sure. Are you salivating yet? Yes, I’m a giant tease.

I don’t know why I didn’t think of this myself… But a fellow filmmaker, Eric Escobar from PrepShootPost, suggested to post some screenshots of Every Day the Same, so here are some of my favorites along with some commentary.

The camera’s video mode doesn’t have any kind of auto-focus to help you, but sometimes, missing focus makes the shot look gorgeous. This was one of those shots.

I love this shot because we were asked to stop filming by one of the Starbucks employees just moments before. Nobody had a clue that I kept shooting anyway! hahaha

I love this angle. There’s a strange but beautiful voyeuristic quality about it.

I’ve never seen anyone so sad about having to go to work! Sasha is a brilliant actress, I was lucky to have been able to work with her.

Ok, THIS is what I mean about the camera’s video capabilities. This was 100% IMPOSSIBLE on my old camera. Remember the one? It was stolen last year. Good! Blessing in disguise! But just look at this shot! Only her right eye is in focus. Even her LIPS are in soft focus!

Just because I wanted to have a shot somewhere that had ridiculously shallow depth of field.

Ahhhh going home and lookin’ fabulous!

This was THE image that captivated me almost two years ago when I came up with the concept for the film. It’s good to finally see it on screen and alive.

Another place we weren’t supposed to shoot. Kohl’s. Sasha and I laid out exactly what we needed to do before going in and were fully expecting to get kicked out. We didn’t, but we were in and out within about 40 seconds. By the time anyone had a clue, we were already outside and saying goodbye. Another huge advantage to the camera. It’s small enough a video camera not to attract any attention to itself. My old one was big enough to have gotten us kicked out before hitting record.

Another “I wanna show off how cool shallow depth of field in a movie looks” shot. Although with this shot I did also want to emphasize the moment she really gets home. Like “It’s official! The keys are up, world! Leave me alone!”

Pretty. She had a real conversation with a friend.

Sasha once again flexing her acting muscles. Seriously. Not having any other actors to feed off of throughout an entire project is very, VERY difficult to do convincingly.

Posted something similar a while back on my Facebook account. I just love the way the windows’ light flared in the camera.

It’s midnight, I just came home from the premiere showing for the premiere showing for Every Day the Same and it was an absolute JOY!! A huge thanks to all who came, it was a blast hanging out again :)

I’ll be posting the movie online soon…ish…

I don’t think I even mentioned this on the blog… I have no idea why.

A little while ago, in what I still think was an unbelievable stroke of good luck, I received a notification that my new camera had been shipped.

It was on back-order.

Everywhere.

Anyone I asked would tell me that even though I pre-ordered the thing in October, it’d be anywhere from two to three months from January before I could hope for it to head my way. But on January 18th, it came to my door.

The next day, I got my new lenses.

And the day after that, I shot a movie with it.

The ability to switch from great still photography to High Definition footage within the same camera and with just the click of a button is an unbelievable experience. Sure you get used to it, but it still rules. The funny thing is that I used to scoff at the idea of bringing video to a photo camera. “Psh, just make me a good photo camera would ya please?!”

Well, it turns out that photo cameras shoot really, truly gorgeous video. I discovered this a year and a half ago when the Canon 5D MkII came out and everybody’s heads exploded at the sight of the footage. Mine included. But I couldn’t justify stepping down to the 5D just to get video. Then the 7D came out. Even cheaper than the 5D and also equipped with beautiful video. But it was a step down from the 5D, so forget it. Both cameras would mean spending money that I’d later regret.

So, I patiently waited for my 1D MkIV to come out.

It finally did.

And now… The movie’s done!! Here’s a couple of images to whet your appetite :)

The poster:

poster

The image that will go straight on the disc:

disc

If you’d like to come see the film, I’d love to have you! Just leave a comment or email me directly!

Ok, here’s some of what you’ve missed out on.

Day 293/365

If it weren’t for this shot, I would have forgotten to take anything that day. I thought it interesting that a chair was just out there (iPhone photo)

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Day 294/365

Family shoot.

DISCLAIMER: Both my good friend Heidi and I were shooting with my camera that day. On the same memory card. For those who have been following my blog, her gear was stolen recently, so she needed loaners as she worked to get back on her feet – which she is now; she bought all the new gear she needed! Yay!! Anyway, what this means is that I’m not completely sure these are all my shots. I’m pretty sure most of them are, but I’m not 100%

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Day 295/365

I can’t post pictures of Kenzie’s bridal shoot until after her wedding on December 16th… But I have a good deal of cool stuff to show you when I’m allowed. Put it on my tab!

Day 296/365

Scouting for new locations. Best day of my life.

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Day 297/365

I absolutely LOVE being on movie sets!!

This was from a goofy short film a friend of mine wrote and directed called “Takito: The Quest to Save Rivendork”. It was, believe it or not, a prequel to another short film he wrote and directed called “Takito: The Revenge of Dreyfus”.

Yes, it’s a spoof. It’s a joke film. I mean… “Takito”. We’re alluding to taquitos.

It was a spoof on a largely unknown feature film called Shikito, by Utah Wolf Productions. Now, I’m not one to talk smack about other artists, but these people make some truly, TRULY atrocious films… As if that wasn’t enough, they’ve willfully infringed on an unbelievable number of copyright laws while insisting that you don’t infringe on theirs.

Andrew (the writer/director for Takito) and I found this incredibly funny. Particularly because Utah Wolf Productions seem to take themselves so damn seriously. So Andy decided he wanted to make a short film out of it last year. The original Takito film. I found this to be dangerous, not just because he’s stealing the movie from Utah Wolf Productions, who are stealing things from giant corporations like Sony, who probably stole their ideas from some schmuck in Arkansas, but also because… Well, how do you spoof a film that sucks? Make it suck MORE?… Andy decided to make it more obviously silly (ie. make it a comedy) while making the cool stuff cooler (ie. better production values).

Regardless, it was enormous fun shooting on set. I shot on days 2 and 3. On day 1 I wasn’t available.

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Kim wasn’t an experienced actress. She needed some reassurance.

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Director Andrew James overlooking the work of his DP (Director of Photography)

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Day 298/365

Day 2 for me, day 3 for the production of the film. The last day of the shoot.

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Fight scenes!!

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The ominous bad guy, Dreyfus.

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Look! Kanye West!! “Yo Andrew, I’m really happy for you and I’m-ah let you finish, but STEVEN SPIELBERG IS ONE OF THE BEST DIRECTORS OF ALL TIME!!! ONE OF THE BEST DIRECTORS OF ALL TIME!!!!!!!”

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It was unspeakably cold up there, and the wind didn’t help.

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Day 299/365

My new price sheets! (iPhone photo)

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Day 300/365

Location scouting again

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